i* My secret life * The Definitive Me! * Apostrophe catastrophe * Problems With Language * Climbing the Mountain of English * Talking...Talking...Happy Talk! * Discussion Topics * What Your Accent Says * Methods to fight against language anxieties * Explore the Lnguage of Movies *
In this section, we are exploring a number of topics which students frequetly have difficulties with. They include Speaking, Listening, Reading Comprehension and Writing, as well as items of a broader nature. If you need further information, please contact us by e-mail via the link at the top of this page.
My Secret Life
Celebrities,
such as sportsmen/women, film and pop stars often feature in newspapers
and magazines, offering a profile into their private lives. It gives
the reader an opportunity discover things about the person they admire,
and also to think about other discerning questions they may like to ask.
Below, we have suggested some questions about a fictitious rock star, and offered some answers as an exercise.
Join a group of classmates, creating your personal
profile of 'My Secret Life', and see what you discover about yourself, and your friends. So, here we go!
'My Secret Life' Karl Allen: Musician My parents were... from
very different backgrounds. I don't really know how they got
together. Mum was in the Land Army, serving troops on a railway station
when the Army passed through. My father, a primary school teacher was
in the Medical Corps, on his way to North Africa.
The house/aapartmentI grew up in... was an old farm-workers cottage in a small country village. It was arranged on 3 floors.
When I was a child I wanted to... be a Missionary. I can't think why; perhaps it was the draw of foreign countries.
If I could change one thing about myself... I always wanted to be tall - most of my friends are over 6' (190cm).
You wouldn't know it but I'm very good at... cooking. I enjoy cooking cuisines from around the world for my friends.
You may not know
it but I'm no good at... mechanical or technical things. It's all I can do to tune in my television.
At night I dream of... friends,
many of whom live in China and the Far East. I talk to them, and dream
that they are sitting on the bottom of my bed. It's strange when I
wake up and they have drifted away.
I wish I'd never worn... jeans. I look awful in them, and find them uncomfortable.
My favourite item of clothing is... my black Fedora. Really cool!
I drive/ride... public transport. I can't be bothered to sit in lines of traffic when I can be talking to people or working on buses or trains.
It's not fashionable but I like... white socks.
My home is... clean, airy and well lit. It's comfortable, but fuctional and a bit 'Art Deco'.
A book that changed me... 'The Fatal Shore'
by Robert Hughes details the cruelty, inhumane and babarbaric treatment
of convicts transported to Australia two hundred years ago.
My favourite work of art... split between two. I love Monet's water lilly pictures which are soothing and tranquil. Van Gough's 'Cornfields' is wild, exciting and invigorating.
The last music album I bought/downloaded... 'Enya' - she entrances me.
My movie heaven... Not too bothered, but I enjoy thrillers and fact based drama. I'm looking forward to seeing 'Cell 211' sometime soon.
My greatest regret... Getting older. I would like to be about 30 years younger and know what I know now.
My secret crush/fantasy... It's still a secret!
My real-life villains... Polititians.
The last time I cried...Films often make me tearful. I get totally immersed in good films.
The person who really makes me laugh... Joe Pasquale is the funniest comedian around just now. He never fails to have me crying and acheing with laughter.
My five-year plan... I
want to move to a flat over-looking the sea in Bexhill, which I can use
as a base whilst I contemplate my next moves. I am keen to return to
south-east Asia or central Africa, and would like to explore Peru.
What's the point?...to bring people together.
The Definitive Me! Here's another set of questions you can ask yourself. It will give others a really true picture of
who you really are.
The prized posession you value above
all others... a small collection of decorative vases. I love to have flowers in the house.
The unqualified regret you wish you could
amend... leaving China. I loved the country, the people, its culture and cuisine.
The
way you would spend your fantasy 24 hours, with no restrictions... fly
around the world visiting unexplored places like Peru, and meeting
friends I have missed.
The temptation you wish you could resist... searching for perfection.
The book that holds an everlasting resonance...
'The Fatal Shore',
by Robert Hughes, which examines the atrocities of the British
Establishment in its treatment of convicts transported to Australia in
the 18th & 19th centuries.
The priority activity if you were
an Invisible Man for a day... bring back the death penalty, but only for
public servants who abuse their expenses or mis-use their position for
private gain.
The way your perceived fame and fortune has changed
you, for better and worse... I don't like being thought of as someone
that I am not. I use my
organisational, teaching and presentational skills for personal
job satisfaction and the benefit of others.
The film you can watch time and time
again... 'Zulu' - it's simply magnificent.
The person who has
influenced me most... my first Head of Faculty, Jim Fagg, who was a
brilliant teacher and offered sound, practical advice on teaching
methods, organisation and presentation.
The figure from history
you most admire... it has to be Lord Nelson - a hero from childhood, I
have always admired his skills as a leader and tactitician.
The piece of wisdom you would pass on to someone younger...be yourself, and treat people as you would have them treat you.
The
unlikely interest that engages your curiosity... ancient civilisations -
the similarities between people that were skillful, yet lived thousands
of miles and years apart.
The treasured item you lost and wish you could have again...my music collection, which remains in
China - some of it I am not able to replace in the UK.
The
unending quest that drives you... to continue to strive for improved
opportunities for students and teachers using English as a second
language.
The poem that touches your soul... '
Little Johnny's Final Letter Home',
by Brian Patten, is a touching account of a disafected 15 year old
leaving home. I use it in presentations, and it always brings my
audience to tears. The power of words is astonishing.
The misapprehension that you wish you could erase... that I am an 'expert'. I simply use my skills to the best of my ability.
The
event that altered the course of your life and character... my divorce -
although it was a very painful experience, it changed by perspective of
values and relationships for the better.
The crime you would
commit knowing that you could get away with it... hacking into world
government's systems to expose corruption.
The song that means the most to you...
'Sometimes When We Touch', by Cleo Laine and James Galway. - Absoloutely beautiful.
The happiest moment you will cherish forever... meeting my
business partner and his family. In the rural family environment, I always felt relaxed and at home.
The saddest time that shook your world... disscovering my ex-wide's adultery.
The
unfulfilled ambition that haunts you... I enjoy doing live
presentations infront of students. Their attention and adulation always
surprises me. I would have loved to have been an internationally
acclaimed rock star.
The philosophy that underpins your life... to progress in everything I do.
The
order of service at your funeral... something simple. If I were to be
burried, I would like to be interned under an apple or pear tree, as the
falling petals in Spring-time symbolise continuity and rebirth. If I
am cremated, I would like my ashes to be cast into the ocean for similar
reasons.
The way you want to be remembered... as the bloke who did his best.As told by Alan
Cooper.
Apostrophe catastrophe! The rogue apostrophe is spreading like measles. It's time to fight back...
This all started with a drink. But it very nearly didn't because when I looked at the cocktail list in the otherwise swanky Charlotte Street Hotel in London and discovered that martini's (sic) were £10.50 and classic's (sic) £10.50 I momentarily lost my thirst.
The price was bad enough. But did you have to pay extra if you wanted to have your drink correctly punctuated? And would a martini - mine's made with Plymouth gin, please, very dry, shaken with a twist - taste as good if it also contained a stray apostrophe?
Caught up in a spasm of punctuation-rage I, perhaps slightly aggressively, asked the poor waitress what those two utterly extraneous apostrophes were doing there. She backed away hurriedly and sent over the assistant bar manager.
Mariusz Szymecki may have been Polish but his English was fluent. Or almost fluent.
'Both spellings - martini's and martinis - are correct,' he said firmly. 'I know this is right because, when I heard what you wanted to know, I checked it on Google.'
On Google? Who in the name of a thousand question marks would rely on Google to be an authority on anything, least of all a grammatical matter?
The internet is awash with misspellings and punctuation solecisms. Nor is it much better out there in the real world. And the poor apostrophe is the subject of more abuse than any other dot, dash or squiggle.
For decades the nation's pedants have sighed and tutted over the so-called greengrocer's apostrophe - the one you find on piles of fruit and vegetables advertising the fact that apple's and banana's are for sale by the pound or kilo when no apostrophe is required to complete the plural. If only apostrophe errors were confined to market stalls! Instead they have spread like a contagion, infecting public signs and notices, literature from reputable institutions, menus and shop signs - not to mention press releases, letters and emails.
According to a new study, the apostrophe causes more problems than any other punctuation mark. Almost half of 2,000 adults who sat a simple test were unable to use it properly. But is anyone really bothered? On Newsnight last week even the great interrogator Jeremy Paxman seemed prepared to shrug off the apostrophe problem, saying: 'Maybe it's redundant now.' Or if Paxo had his way, 'maybe its redundant now'.
Nonsense! It may be under threat, but we should stand up for the simple apostrophe. We should defend its honour - as the Daily Mail's own Keith Waterhouse has done for some time, with his organisation the AAAA ( Association for the Annihilation of the Aberrant Apostrophe). I decided to spend a day policing apostrophes. Surely if people realised the error of their ways they would be moved to do something about it, wouldn't they?
I am barely awake when I stumble on my first howler, on the sandwich board outside the Shiraz Cafe, a greasy spoon on Hammersmith Road, West London, between my flat and the office, advertising 'pasta's, jacket potato's and panini's'. Inside, Roshi, the Iranian proprietor, smiles beatifically when I inform her of the problem.
'I don't care,' she says mildly. But I do, I say. I don't add that the sight of an airborne curl of black where there should only be the white of the page stirs in me feelings of biliousness. I had worried that this might be a bit of an overreaction, until I read popular grammarian Lynne Truss on the subject.
If you still persist in writing: 'Good food at it's best', you deserve to be struck by lightning according to author Lynne Truss
'No matter that you have a PhD and have read all of Henry James twice,' writes Truss in her bestselling Eats, Shoots And Leaves. 'If you still persist in writing: 'Good food at it's best', you deserve to be struck by lightning, hacked up on the spot and buried in an unmarked grave.'
Goodness. Fortunately, wandering around Hammersmith, Kensington and Notting Hill I don't find a single aberrant it's. I do, however, find wheelbarrows full of greengrocer's apostrophes. There is one at an odds-and-ends shop advertising 'Pashmina scarf's' for £3 each. 'Yeah,' says a shop assistant when I take him to task on it. 'I know it's wrong. But someone else did that sign. He left about a month ago. We might get round to changing it.'
There are several more offenders on the menus of nearby cafes and bars. There is even one, threatening to 'copy plan's', plastered on the window of Copywell, a printing and copying centre. Surely it should be incumbent on a printer to put his apostrophes in the right place. I drag a charming young graphic designer called Anam Islam out on to the pavement to show him the problem.
'Yeah, that is wrong,' he admits. 'And I did that one. It's funny because I was watching a documentary on apostrophes the other week and thought that I always got them right.'
Perhaps one of the reasons we remain so confused about the apostrophe is that it is relatively new to our language. The last punctuation mark to be standardised, it has been around in its present form for about 150 years. The Oxford English Dictionary says the first record of the actual word 'apostrophe' in English is in Shakespeare's late 16th century play Love's Labour's Lost and that it is rooted in the Greek for ' turning away, or elision'.
This makes perfect sense: originally an apostrophe's job was merely to indicate the omission of letters, and this remains one of its most basic - and easily understood - tasks. You need only think of contractions such as can't and daren't, dates such as the '80s or poems such as A Red, Red Rose by Robert Burns - 'Till a' the seas gang dry my dear/ And the rocks melt wi' the sun' - to see how it works.
And yet for some reason many people seem to find it tempting beyond belief to apply apostrophes to a word as if they were visual garnish. It's not just fruitsellers who do this: a barrister friend shows me a letter to a judge positively strewn with extra apostrophes.
Plurals of abbreviations or acronyms are particularly prone to this treatment. How many times have you seen a sign offering CD's? And another friend, a policeman, tells me he often comes across ASBO's.
Serial offender: Greengrocers are regular offenders when it comes to putting apostrophes in the wrong place
But worse than that, after popping into Nationwide Building Society to pick up a leaflet on savings, I find it blithely expounding on the subject of ISAs (fine) but also ISA's (not fine). I phone the press office to remonstrate. 'The apostrophe shouldn't be there, no,' admits a jolly man on the end of the line. 'It would appear to be human error, though rogue apostrophes do seem to be increasingly prevalent. We'll try to remember to take it out on the next print run.'
By now I have been staring so hard all day at apostrophes that I am beginning to lose it. I can see them when I close my eyes, crawling like dark, specky insects across my retina. And I haven't even tackled their possessive use yet.
According to the latest study, this is where people really struggle. Most of us are fine with the fact that, as well as missing letters, apostrophes are used to indicate possession. So, the bike belonging to the boy could be written as 'the boy's bike'. But what if the boy's name is James? Do we refer to James' bike? Or to James's bike?
It started with a drink: Victoria Moore's rage about misplaced apostrophes began when she saw martini's (sic) were £10.50 on a hotel menu
And what if there are several boys, all with bikes? When brain is engaged, most people are happy that the correct answer is 'the boys' bikes'. But for some reason we are not entirely comfortable with this end-of-word apostrophe, particularly when it falls at the end of a sentence.
It's an aesthetic objection and we deal with it by. . . just missing off the apostrophe. Because we feel like it. Here are two examples: Visitors Toilet (seen in a hospital); Parents Association (countless schools).
As I am musing on this, an email arrives from a PR contact inviting me to a Ladies Social Evening. Just as I finish emailing prissily back, 'Dear Ellie, Shouldn't it be Ladies' Social Evening?' my friend Tanya phones. 'Oh God, who cares about apostrophes?' she says, 'I think people who are uptight about them probably make terrible lovers.' Is there a chance I am taking this too far?
John Richards does not think so. Based near Boston in Lincolnshire, he is a retired journalist with bushy eyebrows and an absolute intolerance of misplaced apostrophes. 'It makes me feel despair more than rage,' he confides. 'I set up the Apostrophe Protection Society four years ago. I have tackled people in person. Usually offenders just get letters. I've sent out thousands. You can only plug away.'
Mr Richards blames ignorance and laziness for our troubles. He is engaged in a minor squabble with the proprietor of a local teashop who insists on offering customers tea's. 'When I asked him about it he said he wouldn't change it because he thought it looked better with one in. What can you do? Needless to say, I haven't been in there for a tea or coffee.'
But what's this? Mr Richards has also written a letter of complaint to the sainted Lynne Truss. He claims she has got something wrong. Before I tell you what it is, perhaps you could try to answer the following question. Which is correct?
(a) Dos and don'ts (b) Do's and don'ts (c) Do's and don't's The answer, according to Ms Truss, is (c). She says that for plurals of letters and certain words then an apostrophe is required.
For example, if you were asking how many s's there are in Mississippi or talking about the noise a crowd made on bonfire night - 'There were lots of oooh's and ahhh's.'
The answer according to Mr Richards is (a). He says: 'Lynne Truss can write what she likes but she's got to justify why you might use one when there are no missing letters and no possessive sense. 'There is no role for the apostrophe in plurals at all.' Who will arbitrate?
Well, David Crystal, professor of linguistics at Bangor University, isn't one for taking sides but he does believe that apostrophes in plurals are sometimes necessary.
'What if I ask you to dot your i's and cross your t's? How will you spell that? If you didn't use an apostrophe you'd have the word 'is' instead of i's.'
As he puts it in his book The Fight For English: 'Inserting an apostrophe is as good a way as any of showing there is an unusual plural.'
But Crystal goes further, and makes a good case for there to be a little more leniency in tricky circumstances. 'Punctuation has always been a matter of trends,' he says. 'Commas, hyphens, semicolons, apostrophes - all have been subject to changes in fashion.
Thinking about these issues as a two-part solution (correct vs incorrect) doesn't help. 'As with many linguistic issues, there are three solutions - correct, incorrect and optional (i.e. can't decide!). Pedants forget about context, which is what removes ambiguity in most cases.
For example, in the case of the Parents' Association, there could be no such thing as an association for one parent, so the apostrophe is simply unnecessary, which is why most people leave it out. 'The other thing people forget is that when the rules were drawn up 150 years ago, it was by printers who forgot about exceptions - such as some plurals - that had been in the language a long time.'
This is the point at which I decide I have had enough of apostrophes. Yes, it will still distress me to be offered a list of martini's or cocktail's. But I think in future I may require a more niche challenge. It's time to protest against the split infinitive.
PROBLEMS WITH LANGUAGE.
Introduction to our 2008 - 2009 presentation 'Enjoying English - The Experience'.
- Did you close the door? Yes, (I did close the door). ... the phrase... 'I didn't close the door' is understood. There is no need to repeat or say it.
- Did you close the door? No,(I didn't close the door).These examples are strait affirmatives or positive answers, and negatives - yes and no, respectively.
But when there is a double negative it causes confusion
- You didn't close the door, did you? The answer is...
No,(I didn't close the door) More about his later.
- cheaper than... More expensive than... fatter than... slimmer than...
11. PREPOSITIONS.
Placing things...
- after, between, behind, below, opposite,
- about, above, after, at before from for
- to towards with
- in front of, on top of, next to.
12. CONJUNCTIONS.
Connect or join two words, phrases or ideas together...and - before - if - or
- salt and pepper.
- The weather is hot. The weather is cloudy. The weather is hot but cloudy.
Climbing the Mountain of English
by Martin Ford with thanks.
Just for fun.
Level 1. Do you speak English? You can understand English if you shout loudly, one word at a time.
Level 2. You can say 'yes' and 'no', usually at the right time.
Level 3. You can understand your family friend's parrot.
Level 4. You can communicate at a disco.
Level 5. You can understand Hollywood movies.
Level 6. You can successfully negotiate multi-billion $ contracts with top international companies.
Level 7. You can understand Shakespeare - forsooth!
Level 8. You can speak the Queen's English. 'Tell me, what exactly do you do?'
Talking...Talking...Happy Talk!
That's what it's all about. Being happy, contented and confident when you are talking, whether you are good at it or not.
It's impossible for a teacher to encourage oral work on a one to one basis in a 90 minute lesson.
I encourage students to talk in groups of 2 or 4. I don't put them in groups, they chose their own partners, just as they would when talking to friends. They talk to each other on a given topic; easy at first, such as their family or interests, or what they did during the holiday.
When you are starting to speak a foreign language, it is important to talk about things with which you are familiar, as students naturally think in Chinese and then translate, and vice versa - the other way round. As confidence and fluency improves, we look at other things for discussion; cultural or topical matters, for example.
One partner then tells the information to the rest of the group or class. This re-enforces listening skills, which most students find difficult. When you are talking, try to build a conversation naturally with your friend, using the vocabulary you have learned. If you lack the words you want, make a note, because these are words you need to know.
It's strange at first and there are many mistakes. That doesn't matter, as mistakes can be corrected. Silence cannot. Students quickly get used to the idea. Those whose oral English is better, help those who are struggling. My aim is to create an atmosphere which is relaxed and happy because happy students learn quickly.
So there you have it! Practice talking as much as you can, and listen to anything in English everyday for 10 - 15 minutes; radio, tapes, films, pop music or the Internet. Absolutely anything, as it will help you become accustomed to hearing pronunciation and the way the language flows.
Discussion Topics.
posted: 2006.09.14.
One of the most effective ways to get students practicing English is to use Discussion Topics in groups of 2, 3 or 4 students. We all have things we want to say. We all have our own opinions on a variety of matters.
In my classes, we don't use text books, we talk as much as possible during a 90 minute lesson. There are three primary reasons for this. The first is obviously, to speak English as much as possible in the limited time available. The second is that text books tend to restrict thought and classroom activity with oral English. The third is a practical fact that, if a student is shy, perhaps embarrassed or does not want to get involved due to poor skill level, they can 'hide' behind a text book and, as a teacher, I am not able to decide whether the person is taking part in the lesson, or whether they are getting anything out of the lesson.
At first students are alarmed that they don't have a book to hold on to as an anchor, but they soon relax, and come to terms with their situation. They help each other if they get stuck with a question or idea. That creates a busy working environment and classromm buzz. It works like this;
Given a topic to discuss, the class splits into small groups, usually their friends, and talk about the topic in English. One writes down notes, another has a dictionary or electronic dictionary to translate unfamiliar words.
After a brief introduction, the discussion period lasts for about 25 minutes, leaving 5 - 10 minutes for the group to assimilate (take in), the notes and make a summary. When the class resumes after a break, the note-taker makes the presentation to the rest of the class. Students in the 'audience', ask questions.
This rotates round the class from week to week, giving everyone in the group the opportunity to address the class with the groups opinions. It also gives students confidence and a sense of caring for each other. There is no 'loss of face', even for the student who has the most difficulty. The class is supportive, because they know just how harrowing the experience of making a presentation to their classmates, especially for the first time, can be.
There are frequently differing ideas within the group, in which case the introduction should begin with, 'We think...' and not, 'I think...'. It may need to be qualified with something like, '...but we couldn't agree, so...'. This is quite normal. How boring life would be if we all agreed about everything all of the time! If you make a statement, it is good practice to qualify what you say anyway.
With discussions or Debates - an argument where two opposing sides discuss a topic, there is not a right or a wrong answer. In asking for your opinions on a topic, I want to hear what you think, not what you think you want me to think! Is that clear?
It is not the place of the teacher to criticise or argue with the presenter about their group's thoughts. It is OK to make a summary at the end of the lesson. The teachers job is to encourage discussion, at whatever level of competency the speaker has, encourage confidence in the speakers and encourage the group to think for themselves. Mistakes don't matter, as they can be corrected, but if students don't make a concerted effort and contribution to a lesson, their competencyand fluency in the language is unlikely to improve.
Teaching is not just about imparting knowledge or factual information. It is about encouraging confidence and success, individuality, how and where to find more information and how to use it.
Below are a number of topics which are useful for starters. Others will be added from time to time, with your help and suggestions.
1. Youthfulness has nothing to do with age, it is a state of mind.
2. China! - take the title and discuss it from any perspective (angle) you like.
3. Only two countries in the world retain the death penalty for serious crimes - some states in the USA and Japan. Should all lives be treated as equal?
4. Celebrities such as film and pop starts, are often the target of gossip in the press. Should we care about groundless gossip?
5. Do you think teachers should be held to a high moral standard, even outside school.
What your accent says.
with some contribution from Gillian Murdoch '21st Century' Staff - 2005.12.28.
TV hosts’ accents have been a hot topic in China since August’s re-affirmed official ban on Hong Kong or Taiwan accents on CCTV.
In England , meanwhile, broadcasters have been moving in the opposite direction. Regional accents are back in fashion for broadcasters, but are still arousing passionate debate.
Accent have traditionally been seen as important in people’s chances to succeed, says Dr Bronwyn G. Evans, 27, linguistic researcher from University College of London. “If you don’t speak properly, you wouldn’t get on in life”.
Accents communicate background, education and birthplace. Let’s face it, people with a Liverpool accent sound whiney, and people with Birmingham accents sound stupid,
In England , everyone has an opinion on regional accents. Researchers have even found the country’s ducks have accent. Cornwall’s countryside ducks made longer more relaxed sounds and London ’s ducks sounded like Cockney’s cross between a shout and s laugh.
To avoid any controversy, the first Director General of the BBC, Lord Reith, wanted a broadcast English that was impersonal, impartial and inoffensive. He called the BBC standard Received Pronunciation (RP) accent, modeled on the educated speech of south eastern England , “the very best that we could do “.
The advisory Committee on Spoken English, set up in 1926, also backed uniformity, as it believed that whenever a language is spoken, there is a right way of speaking it. By the mid-1990s, this 'right way' was being openly questioned. In 1994, Liz Forgan, then managing director of BBC network radio, claimed parts of the BBC were beginning to sound a bit antique.
Another radio presenter said that he has a strong Yorkshire accent, which was rare on the BBC in the early days. He saw the trend towards regional accents when doing voiceovers at the World Service. However, some British accents are still more acceptable than others, he noted.
Evans agrees major changes are occurring: “How Edwards who reads the 10pm news is Welsh, another newsreader has a slight West Indian accent, Sara Cox on Radio 1 is from the north of England and doesn’t make any attempt to speak old-style BBC English. People are becoming much more aware of their local identity and are keen to preserve this in their speech.
Heather Purdey, 52 , vice-chair of the Broadcast Journalism Training Council, which validates broadcast journalism courses in the UK , attributes the greater tolerance to wider social changes:
'In broadcasting, accents reflect the diversity of a population. Accents are good! They give life and character, but', she adds: 'The really important aspect in clarity, not an accent'.
Methods to fight against language anxieties
with contributions from Liu Jun
Many students have anxieties in studying English. Psychologists usually distinguish between trait anxiety (a person’s inborn tendency to be anxious) and state anxiety (temporary fear of a particular situation, such as an exam or speaking in public).
Language anxiety is, however, unique. It can be defined as the fear or apprehension that occurs when people have to use a language in which they are not proficient.
Researchers generally agree that language anxiety has a negative effect on learning a second language. Language anxiety can lead to academic failure, being uncomfortable in a social setting, or a painful emotional experience. Anxious students tend not to do well academically in their grades and proficiency testing. Additionally, anxiety may make students work harder to make up for a lack of linguistic ability in the language they are studying, but, they often achieve little out of the increased effort.
Anxious students tend to have a slower rate of vocabulary learning and retrieval than relaxed ones.
Language anxiety can cause a person to avoid classroom participation, communicating with others, or social interaction, which could remove the opportunity to get the assistance of a teacher, other students, or native speakers that is needed to develop the language. Worse still, high levels of anxiety can lead to lack of motivation and self-confidence.
Since language anxiety is harmful, what can be done to help reduce it and increase learning? We can of course create a less stressful language learning environment and help students cope with anxiety. But, I would like to offer a few other suggestions:
1.Form a support or study group. This helps you share your thoughts as well as your frustrations. It will allow you to understand that you are not alone, thereby boosting your confidence and allowing you to learn from others.
2.Be realistic. Anxiety sometimes comes from unrealistic expectations. Learning takes time. It is impossible to learn to speak perfect English overnight. You need to identify irrational goals if you have them and see what makes you nervous and develop ways to be more realistic and productive.
3.Use an anxiety graph. Keep a record of your anxiety levels. You can measure the highest level of anxiety in a specific situation and get more information on how to approach the same situations in future.
4.Keep a journal. This is a good way to reduce language anxiety. In your journal, you can describe your feelings of inadequacy to find a more realistic, positive way to make progress. In general, language anxiety can only be reduced if a person has a reasonable sense of the situation, and if the teacher tries to create a non-threatening study environment and offers good instruction.
Explore the language of movies
WATCHING classic Western movies is a good way to learn colloquial English. They are set in certain historical periods, and often show social problems and various customs.
However, some viewers find them hard to follow. One reason is a lack of historical back-ground. Another problem is that actors often speak too fast. They also use old phrases, figure of speech, slang, and dialects.
Not all English movies are useful to practice listening. So, it is important that you choose something suitable. The English is easier to understand if it is standard. It is better to start with family movies like 'The Sound of Music', The Lion King' or 'Sleepless in Seattle' . These movies have simple plots and not so many characters, which is useful for getting used to the pronunciation.
Here are some ways to understand the dialogues in English movies better:
1). Following fast English.
A knowledge of sounds can help us a lot in understanding the English of movies. This is essential for correct pronunciation to understand dialogue. Word association is important in understanding a dialogue, for example that between Rochester and Jane, in 'Jane Eyre'. Rochester is used to giving orders and says, 'You must allow me to give orders, Miss Eyre. If, for no other reason than that I am 20 years older. Would you not agree?' She answers, 'Surely, sir, that depends on what use you made of your time.'
The pronunciation of “what use” is/w tju:s/instead of /w t//ju:s/, so it is hard to get it.
2). Understanding ellipsis
Ellipsis is the omission of a word or short phrase easily understood in context. In movies, subjects or direct objects are often left out. This is especially true with dialogue. So, we need to guess the implied meaning of that ellipsis. We can do that with the help of context. In 'The Sound of Music', the ellipsis is obvious when the Baroness Schraeder (the Captain’s friend) and Max Detweiler (also a friend) are talking about the possible marriage of the Baroness and the Captain.
Detweiler asks her, 'Have you made up Gerald’s (the Captain’s) mind yet? Do I hear wedding bells?' and she responds with 'Pealing madly.' What she means is, that wedding bells are pealing (ringing) madly (already). In this dialogue, the subject 'wedding bells' is left out.
3). Understanding figures of speech
Figures of speech are used in movies to liven up dialogue and make the language real. Similes and metaphors are used most often. Sentenced with figures of speech have hidden meanings which you need to discover. Let’s have a look at the dialogue between Jenny and Oliver in 'Love Story', when Jenny is dying:
Jenny: 'It doesn’t hurt, Ollie, really it doesn’t. It’s like falling off a cliff in slow motion, you know. Only after a while you wish you’d hit the ground already, you know'.
Oliver: 'Yeah'.
Jenny: 'Bullshit. You never fell off a cliff in your whole life'.
Oliver: 'Yes, I did, when I met you'.
When Jenny says…'like falling off a cliff', she compares waiting to die with the feeling of falling off a cliff, but as seen in slow motion. This is a popular simile. When the second 'fell off a cliff' appears, it becomes a metaphor, that says Oliver never took a risk in his life. The metaphor continues when Oliver says, 'Yes, I did, when I met you.'
His meaning is that he fell completely in love with Jenny. And, great changes took place in his life because he broke off from his family. The difference between simile and metaphor is that simile always has 'like' or'as' surrounding the phrase..
4). More slang, idioms and some bits of dialect
One of the things that makes movies English difficult is the use of slang. Slang is informal English for everyday use. For example, when you hear someone say that he needs some cash, or bread, or dough, he is using American slang words for money.
Idioms are also common.
Using 'Double Indemnity' as an example, during the second meeting between Neff and Phyllis, Neff realizes that Phyllis plans to get rid of her husband. So, he warns her 'Look, baby, you can’t get away with it.' To 'get away with something' means to succeed in doing something bad or illegal. When Phyllis pretends she doesn’t know what Neff is talking about, he asks, 'You want to knock him off, don’t you, baby?'. To 'knock somebody off' is to 'kill somebody'.
Non-standard English is sometimes used to represent uneducated people in movies. For example, 'ain’t' means 'am not', 'are not', 'is not' or 'have not'. Also, 'wanna' means 'want to', and 'gonna' is 'going to'.
To sum up, it is difficult for Chinese to understand English movies. The only shortcut is to watch them, listen to them carefully, and think about the speech repeatedly, while bearing the above in mind. Remember, 'Practise makes perfect.' As long as you get used to the language used in movies, you will enjoy them more!
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